Ohne ihre Musik wären die Kirchen vermutlich
schon lange tot und leer. Es waren die weiten melodischen Bögen
der Gregorianik, die vielstimmig-schwebenden Motetten der Renaissance,
die ergreifende Chor- und Orgelmusik eines Bach, Mozart, Brahms oder
Messiaen, welche die großen, halligen Gotteshäuser mit
Leben und Andacht füllten. Das ist wirklich ein großes
Mysterium. Keine andere Religion hat derart vielfältige
und unterschiedliche Musik hervorgebracht. Hier hören wir Geistliche
Chormusik der Renaissance von Palestrina, Tallis, Lobo, Cardioso u.a.
the project
Classical music is hot. In fact, it is probably the
biggest story of the l990s in the recording industry. Classical
crossover
hits like
Nigel Kennedy's recording of
Vivaldi's
The Four Seasons,
Henryk Gorecki's
Symphony
no. 3, the Gregorian Chant album by the monks of Silo, and
Michael Nyman's score for the
Jane Campion
film
The Pianoto name just a fewhave broken
out of classical music's traditional bounds and hit the pop charts.
Suddenly, a classical recording that sells 10,000 units is no longer
pushing the envelope; today's top classical releases are reaching
sales heights formerly reserved for pop icons like
Madonna
and the
Rolling Stones.
This stunning turnaround in classical music's marketing
power did not come out of nowhere, though. Celestial Harmonies helped
set the stage for it with its Adagio (Complete Edition) (19908)
series. Since 1981, long before the current interest in classical
music began, Celestial Harmonies' compilations have been used worldwide
for relaxation, meditation and even music therapy. And in a stunning
reversal of music industry rules, absolutely no advertising or promotion
was needed to achieve substantial sales figures. And while the rest
of the classical world scurries around looking for the next big hit,
Celestial Harmonies has released an updated digital version of an
already proven winner: The Adagio series, a total
of seven doubleCDs. With sales of over 300,000 units in the
past decade, the reason for the series' success is no mystery. As
modern life has become increasingly complex and stressful, listeners
have turned to music as a source of reliefespecially the timeless,
contemplative sounds of classical music. It seems that as the pace
of our lives gets progressively faster, the music that many listeners
are seeking is increasingly slow. The Adagio series,
presents over seventeen hours of the world's finest slow music, making
it the largest such collection anywhere.
the music
One thing is clear from the astounding success of
The Three Tenors, the Spanish monks, the Bulgarian Women's Choir,
and other
crossover phenomena: despite the conventional wisdom
in the classical radio and recording industries that vocal music is
not as popular as instrumental works, it is the vocal albums that
listeners repond to more anything else.
Magnum Mysterium I
and
Magnum Mysterium II (
14062) present
a survey of five centuries of the glorious sound of massed human voices.
Magnum Mysterium I focuses specifically on the
sacred choral music of the fifteenth to seventeeth centuries. The
music of Pierre de la Rue and Giovanni Palestrina
is as beautiful and resonant today as it was nearly 500 years ago.
Respected figures like Thomas Tallis, Carlo
Gesualdo, and William Byrd are joined by
currently overlooked Iberian masters Manuel Cardoso
and Duarte Lobo. The CDs' liner notes add to the
musical interest: the exalting sounds of Byrd's Infelix
Ego take on new layers of significance when you read that he
was a known Catholic in the fiercely Protestant court of Elizabeth
I, but that a blind eye was turned towards him and his family because
his music was considered so sublime.
Magnum Mysterium II also draws on the rich liturgical
music heritage of both Catholic and Protestant rites. Four hundred
years of sacred contemplative music are represented here, from the
spectacular choral polyphony of sixteenth century Englishman Thomas
Tallis to the heartfelt Psalm settings of his twentieth century
countryman, Herbert Howells. Magnum Mysterium
II also includes some brilliant yet reflective organ interludes
by Bach, Mozart, Langlais,
and others.
The sacred music included here reflects the long historic
ties between classical music and Western Christianity. Most Italian
and Spanish composers set the Latin texts of the Catholic liturgy;
this included composers like Vivaldi and Verdi,
who are more generally thought of as instrumental or operatic composers,
respectively. But Vivaldi's Gloria and
Verdi's Stabat Mater, both included
here, are glowing choral works that show how strongly these composers
felt about their ancient texts. Bach was a figure
of great importance to the Lutheran services in his native Germany.
In addition to his sacred cantatas, Bach's position
in the church allowed him to display his musical genius in his organ
contemplations, which were often improvised and only later written
down. Two of these fantasies and fugues are included in Magnum
Mysterium II. Another great master, Johannes Brahms,
drew on Lutheran texts for his A German Requiem, which
is also excerpted here.
There are some musical surprises as well: a setting
of the seventh century text Vexilla Regis by legendary
pianist/composer Franz Liszt, for example; or an
example of early liturgical music for the young Anglican Church by
Thomas Tallis. And there are also some familiar masterworks:
the Sanctus from Bach's glorious Mass
in B Minor, for example; and the timeless beauty of In
Paradisum from the Fauré Requiem.
the musicians
These compilations were put together by Celestial
Harmonies' President,
Eckart Rahn, and
Sister
Marie Therese Levey, RSJ, of Australia.
Magnum Mysterium
I and
Magnum Mysterium II feature the rich, pure sounds
of the
Oxford Camerata of England, directed by
Jeremy
Summerly. Two other highly-regarded choirs, the
Sine
Nomine Singers and the
Schola Cantorum of
Oxford also perform, and such respected ensembles as the
Capella
Istropolitana, the
English Northern Chamber Orchestra,
and the
Slovak Radio Symphony Orchestra provide instrumental
support. Renowned organists
Wolfgang Rübsam,
Joseph
Payne, and
Janus Sebestyen each contribute
instrumental interludes in the second volume.
tracklist
|
Disk 1: |
|
1 |
Lectio I: Lamentationis Jeremiae for
Holy Saturday by Pierre de la Rue |
9'21" |
2 |
Lamentation for Maundy Thursday by Thomas
Tallis |
8'19" |
3 |
Lamentation for Maundy Thursday by Orlando
di Lasso |
5'51" |
4 |
Lamentation for Good Friday by Estévão
de Brito |
6'18" |
5 |
Kyrie from Missa Papae Marcelli by Giovanni
Pierluigi Palestrina |
4'36" |
6 |
Gloria from Missa Papae Marcelli by Giovanni
Pierluigi Palestrina |
5'38" |
7 |
Credo from Missa Papae Marcelli by Giovanni
Pierluigi Palestrina |
8'33" |
8 |
Sanctus from Missa Papae Marcelli by
Giovanni Pierluigi Palestrina |
8'56" |
9 |
Agnus Dei from Missa Papae Marcelli by
Giovanni Pierluigi Palestrina |
7'51" |
10 |
Motet O Magnum Mysterium by Thomás Luis
de Victoria |
4'11" |
11 |
Motet Sancte Spiritus Domine by Don Carlo Gesualdo |
2'01" |
|
Total Time: |
72'05" |
|
Disk 2: |
|
1 |
Motet Infelix Ego by William Byrd |
13'41" |
2 |
Motet Versa est. by Alonso Lobo |
5'08" |
3 |
Introit from Requiem Mass by Duarte Lobo |
5'49" |
4 |
Kyrie from Requiem Mass by Duarte Lobo |
1'48" |
5 |
Gradual from Requiem Mass by Duarte Lobo |
3'34" |
6 |
Offertory from Requiem Mass by Duarte
Lobo |
4'00" |
7 |
Sanctus from Requiem Mass by Duarte Lobo |
2'38" |
8 |
Agnus Dei from Requiem Mass by Duarte
Lobo |
2'24" |
9 |
Communion from Requiem Mass by Duarte
Lobo |
2'44" |
10 |
Introit from Requiem Mass by Manuel Cardoso
|
6'26" |
11 |
Kyrie from Requiem Mass by Manuel Cardoso
|
2'02" |
12 |
Gradual from Requiem Mass by Manuel Cardoso
|
4'50" |
13 |
Offertory from Requiem Mass by Manuel
Cardoso |
5'34" |
14 |
Sanctus from Requiem Mass by Manuel Cardoso
|
3'00" |
15 |
Agnus Dei from Requiem Mass by Manuel
Cardoso |
2'36" |
16 |
Communion from Requiem Mass by Manuel
Cardoso |
3'48" |
17 |
Motet In Manus Tuas by Thomas Tallis |
2'33" |
|
Total Time: |
73'00" |
the series
Adagio I: A Special 2 ½
Hour Collection of Orchestral Classics |
(14050) |
Adagio II: A Special 2 ½ Hour Collection
of Orchestral Classics |
(14052) |
Andante: A Special 2 ½ Hour Collection
of Chamber Music Classics |
(14054) |
Largo I: A Special 2 ½
Hour Collection of Piano Classics |
(14056) |
Largo II: A Special 2 ½ Hour Collection
of Piano Classics |
(14058) |
Magnum Mysterium I: A Special 2 ½ Hour
Collection of Sacred Music Classics |
(14060) |
Magnum Mysterium II: A Special 2 ½
Hour Collection of Sacred Music Classics |
(14062) |